弦楽器メルマガ
BG Newsletters é…信中ï¼
BG Newsletters ã«ç™»éŒ²ã™ã‚‹ç™»éŒ²ã™ã‚‹

■日曜・月曜定休
Closed on Sundays & Mondays

10:30~18:30

112-0002 æ±äº¬éƒ½æ–‡äº¬åŒºå°çŸ³å·2-2-13 1F
1F 2-2-13 Koishikawa, Bunkyo-ku,
Tokyo 112-0002 JAPAN

後楽園駅
丸ã®å†…ç·šã€4b出å£ã€‘ å—北線ã€8番出å£ã€‘
KORAKUEN Station (M22, N11)
春日駅 三田線・大江戸線ã€6番出å£ã€‘
KASUGA Station (E07)

Dictionary of Makers

SEARCH

Alphanumeric Characters Only / Blank

Nicola Gagliano

Violin Maker  c.1740-c.1780
NaplesItaly

Nicola Gagliano was the son ofAlessandro. His violins, together with those of his brother Gennaro, are amongst the most sought-after instruments of the Gagliano family.

 
Although he occasionally copied Amati, the majority of his work shows the influence of Stradivari, who remained the strongest force in the output of the Gaglianos from Nicola's generation on- wards. This is particularly evident in the flat archings and upright
 
In his later years, Nicola sometimes collaborated with his son, Giuseppe, as can be seen in the violin labelled 1744 on pp. 214- 215, which was probably made circa 1770. This instrument also shows clearly the use of beech and paper for the purfling, which was introduced by Gennaro and Nicola, and which was to become a hallmark of the Gagliano family, and indeed of Neapolitan violin making in general.