弦楽器メルマガ
BG Newsletters é…信中ï¼
BG Newsletters ã«ç™»éŒ²ã™ã‚‹ç™»éŒ²ã™ã‚‹

■日曜・月曜定休
Closed on Sundays & Mondays

10:30~18:30

112-0002 æ±äº¬éƒ½æ–‡äº¬åŒºå°çŸ³å·2-2-13 1F
1F 2-2-13 Koishikawa, Bunkyo-ku,
Tokyo 112-0002 JAPAN

後楽園駅
丸ã®å†…ç·šã€4b出å£ã€‘ å—北線ã€8番出å£ã€‘
KORAKUEN Station (M22, N11)
春日駅 三田線・大江戸線ã€6番出å£ã€‘
KASUGA Station (E07)

Dictionary of Makers

SEARCH

Alphanumeric Characters Only / Blank

Alessandro Gagliano

Violin Maker  c.1700-c.1735
NaplesItaly

Alessandro Gagliano, the first known Neapolitan violin .r\_maker, was the progenitor of the Gagliano dynasty, the most prolific violin-making family of the 18th century. Very little is known about his origins or training.
 
Gagliano's models are unique and do not show the in- fluence of Stradivari, unlike those of his sons Nicola and Gennaro. His varnish also differs radically from that of his sons; he used a deep red pigment rather than the more orange or yellow tones seen in their work. This, combined with the strongly flamed wood that he often used (see the violin and viola, both circa 1720), gives Gagliano's in- struments a stunning appearance. His f holes are short but elegant and are set rather low on the table, and his purfling is often inaccurate. In short, his work displays an unfettered creativity.
 
The viola featured here is one of only two known examples, the other having been altered in the 19th century to look like a Guarneri del Gesu (see The Strad, September 2002). The fluted front edges of the pegbox are a common feature in Gagliano's work and can also be seen on the 1724 cello. His cellos are also extremely rare, with only a dozen or so examples extant. The contrasting approach of the two cellos illustrated here shows the range of Gagliano's work - the 1709 is a rather delicate and diminutive model, the 1724 much more masculine in character.